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	<title>Comments on: When to Hire a Professional Designer</title>
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	<description>Duarte Blog</description>
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		<title>By: Stephen</title>
		<link>http://blog.duarte.com/2009/05/when-to-hire-a-professional-designer/comment-page-1/#comment-1281</link>
		<dc:creator>Stephen</dc:creator>
		<pubDate>Mon, 11 May 2009 21:00:10 +0000</pubDate>
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		<description>Great post! Thanks!

I&#039;m an architect specialising in school design. It&#039;s amazing how many people think they know about design and construction because they have had their house extended. While it&#039;s important as a designer to understand what clients and other interested parties want to get out of a project, it is equally important to let the professionals do the job they specialise in.</description>
		<content:encoded><![CDATA[<p>Great post! Thanks!</p>
<p>I&#8217;m an architect specialising in school design. It&#8217;s amazing how many people think they know about design and construction because they have had their house extended. While it&#8217;s important as a designer to understand what clients and other interested parties want to get out of a project, it is equally important to let the professionals do the job they specialise in.</p>
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		<title>By: ade</title>
		<link>http://blog.duarte.com/2009/05/when-to-hire-a-professional-designer/comment-page-1/#comment-1274</link>
		<dc:creator>ade</dc:creator>
		<pubDate>Sat, 09 May 2009 17:51:30 +0000</pubDate>
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		<description>The post truly deserves a standing ovation! It drives home the point in a very interesting way.

Like Miguel.M stated, most times even when I know exactly what to do and how to do it, I prefer to call the real pros... the difference is always clear at the end of the day.

Even if it costs an arm and a leg, at the end of the day its worth it because I get value for money and everyone is satisfied. &#039;Don&#039;t be penny wise and pound foolish&#039; is what we say in my country.

Great post Doug, thanks.</description>
		<content:encoded><![CDATA[<p>The post truly deserves a standing ovation! It drives home the point in a very interesting way.</p>
<p>Like Miguel.M stated, most times even when I know exactly what to do and how to do it, I prefer to call the real pros&#8230; the difference is always clear at the end of the day.</p>
<p>Even if it costs an arm and a leg, at the end of the day its worth it because I get value for money and everyone is satisfied. &#8216;Don&#8217;t be penny wise and pound foolish&#8217; is what we say in my country.</p>
<p>Great post Doug, thanks.</p>
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		<title>By: Miguel.M</title>
		<link>http://blog.duarte.com/2009/05/when-to-hire-a-professional-designer/comment-page-1/#comment-1266</link>
		<dc:creator>Miguel.M</dc:creator>
		<pubDate>Sat, 09 May 2009 11:58:32 +0000</pubDate>
		<guid isPermaLink="false">http://blog.duarte.com/?p=2598#comment-1266</guid>
		<description>Clap, clap, clap...
Doug, my absolute applause!
Let me take a bit of your time...
I&#039;ve been around, professionaly, for the last 30 years. Started as a &quot;barely bearded&quot; young
drawing skilled illustrator, entered the real world through ehxibition stands design, became an advertising creative and a couple of years later decided to assume as communications/graphic designer. Among some other tasks, was frequently asked to develop presentation materials (I already knew how to tell a story in 20 seconds TV ad, it was easy to learn how to tell a story in a 20 minutes presentation). Drawing, paste-up text and photos, and copy to transparencies or photograph into 35 mm slides was the visual technique. One day, by 1989, grabbed a Commodore Amiga 2000 and became a
(maybe one of the first in the world?) multimedia presentations designer and producer, it also made me extend my skills into audiovisual events production.
That&#039;s where I&#039;ve been for this last 20 years!
Through this 30 years journey, watching pros,
I learned studio photography technics, sound &amp; video editing and production.
As a joke, sometimes use to say that I am
&quot;overqualified&quot; LOL.
Among the usual graphic design studio paraphernalia, I have a small photo studio, and a workstation dedicated to sound &amp; video editing. I use them for small exigence productions.
BUT... when it cames to real pro exigent productions - illustration, exhibitions, photo, audio or video - even though I know exactly how to do it, and sometimes could even do it, I know it&#039;s time to call the real PROS...
That&#039;s not lightly that, in Portugal, we use to say:
&quot;Each monkey on it&#039;s tree branch!&quot;</description>
		<content:encoded><![CDATA[<p>Clap, clap, clap&#8230;<br />
Doug, my absolute applause!<br />
Let me take a bit of your time&#8230;<br />
I&#8217;ve been around, professionaly, for the last 30 years. Started as a &#8220;barely bearded&#8221; young<br />
drawing skilled illustrator, entered the real world through ehxibition stands design, became an advertising creative and a couple of years later decided to assume as communications/graphic designer. Among some other tasks, was frequently asked to develop presentation materials (I already knew how to tell a story in 20 seconds TV ad, it was easy to learn how to tell a story in a 20 minutes presentation). Drawing, paste-up text and photos, and copy to transparencies or photograph into 35 mm slides was the visual technique. One day, by 1989, grabbed a Commodore Amiga 2000 and became a<br />
(maybe one of the first in the world?) multimedia presentations designer and producer, it also made me extend my skills into audiovisual events production.<br />
That&#8217;s where I&#8217;ve been for this last 20 years!<br />
Through this 30 years journey, watching pros,<br />
I learned studio photography technics, sound &amp; video editing and production.<br />
As a joke, sometimes use to say that I am<br />
&#8220;overqualified&#8221; LOL.<br />
Among the usual graphic design studio paraphernalia, I have a small photo studio, and a workstation dedicated to sound &amp; video editing. I use them for small exigence productions.<br />
BUT&#8230; when it cames to real pro exigent productions &#8211; illustration, exhibitions, photo, audio or video &#8211; even though I know exactly how to do it, and sometimes could even do it, I know it&#8217;s time to call the real PROS&#8230;<br />
That&#8217;s not lightly that, in Portugal, we use to say:<br />
&#8220;Each monkey on it&#8217;s tree branch!&#8221;</p>
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